![]() ![]() The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. The cookie is used to store the user consent for the cookies in the category "Performance". This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Other. The cookies is used to store the user consent for the cookies in the category "Necessary". The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". The cookie is used to store the user consent for the cookies in the category "Analytics". These cookies ensure basic functionalities and security features of the website, anonymously. Read more: Nikkor Z DX 50-250mm f/4.5-6.Necessary cookies are absolutely essential for the website to function properly. The latter also acts as a focus ring, being electronically coupled to a rapid stepping motor autofocus system. The optical performance is good and the 5-stop optical VR system lives up to its claims. Handling is very good, with a really nice balance on the slinky Z50 body, and smooth action to its zoom ring and multi-function control ring. Even so, it’s remarkably small and lightweight, partly thanks to a retractable design and plastic mounting plate. Designed for Nikon’s DX-format Z50, this telephoto lens has an ‘effective’ zoom range of 75-375mm in full-frame terms, edging into the super-telephoto territory. But the full frame Nikkor Z telephotos are big and expensive, and this lens is a cheaper and more practical option for the Nikon Z50 – and, if you bought the Z50 as a twin-lens kit that includes this, you got yourself a real bargain. You can use Nikon's full frame telephoto lenses on the Nikon Z50 and its smaller sensor's 'crop factor' will give them 1.5x the magnification too. Read more: Nikkor Z DX 16-50mm f/3.5-6.3 VR review A silver version of this lens is available, to match the retro styling of the Nikon Z fc. ![]() Confusingly, lens makers describe all lenses by their standard, full-frame focal lengths. That means a 50mm lens on a full-frame camera becomes a 75mm lens on an APS-C camera. Even so, it’s certainly robust enough for daily shooting. Although small in size, the little Nikkor punches above its weight, delivering great sharpness and contrast even when shooting wide-open. If you attach a lens to a camera with an APS-C sensor, it results in a crop of about 1.5 (the exact factor is 1.43). The flip side is that, compared with weightier FX (full-frame format) Z-mount lenses, it feels a bit less solid and has a plastic rather than a metal mounting plate. Tipping the scales at just 135g, the Nikkor Z DX 16-50mm f/3.5-6.3 VR pretty much qualifies as a ‘pancake lens’, measuring a mere 32mm in length when retracted. Original price 369.99 - Original price 369.99. There is always the longer-range Nikkor Z 18-140mm standard zoom to consider too, but this is a much larger lens and more expensive too. 1Meike 25mm F0.95 is the Aps-C manual focus lens, APS-C frame lens for a full frame camera- If the camera has S35/APS-C mode, then you can use (. If not, it's well worth getting as a standard zoom, even tough you pay more if you buy the camera and lens separately. If you've already got a Nikon Z50, the chances are this kit lens came with it. Perhaps Nikon sees the Z50 as a stepping stone for new users to eventually move on up to a full frame model like the Nikon Z5, Nikon Z6 II or Nikon Z7 II. There’s a choice of standard zooms, a very good telephoto zoom and a selection of reasonably priced prime lenses which will also work on full frame cameras. The range of DX-format lenses has been slow to develop, though. Since then there have been two more DX-format cameras – the retro styled Nikon Z fc and the compact and affordable Nikon Z30 vlogging camera. The Nikon Z50 was launched back in October 2019.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |